Soon after, we see a comical diaper ad that promises that not a drop of urine will escape. He is Esteban Two, the middle generation. Her showing the baby to its father, Esteban One, is a performance, as is her showing him the photograph of his son, Esteban Two. In other words, he not only questions the identities of his characters and indirectly of us, he questions the identity of his own film. Esteban Two kids his mother by suggesting he might become a male prostitute. This is a film about identity. He is reminding us that this is all a photographed fiction, but conversely, that the camera and the fiction it is creating are in fact quite real. Cukor, Hawks], and this film came out shortly after the death of his mother to whom he was particularly devoted.
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